In addition to the suffering caused by the production of animal-based foods, it also contributes significantly to global warming and thus to rising sea levels. This connection is illustrated in Flood I and shows that the exploitation of our environment will ultimately destroy itself in the long term. This does not mean that it is no longer worth fighting to end exploitation in all its forms as quickly as possible.
This poster features the painting “Flut I” which translates as "Flood l" by animal rights activist and painter Hartmut Kiewert. Printed in DIN A2 format (420 × 594 mm) on high-quality 120 g recycled paper, it combines a strong political statement with artistic craftsmanship.
Hartmut Kiewert uses his powerful paintings to push the boundaries of what we imagine to be possible. His works depict utopian scenarios in which humans no longer oppress, exploit, or kill other animals or their environment. This becomes particularly striking in his urban landscapes, where beings – usually divided into categories such as “pets,” “farm animals,” “wild animals,” or “humans” – share public space peacefully and on equal footing.
Beyond human–animal relations, Kiewert also addresses themes such as performance-driven society, the climate crisis, and mobility transitions. The animals in his paintings never appear to act out of coercion, but rather out of free will—they linger, relax, and enjoy life. In doing so, his work both challenges anthropocentric perspectives and opens up new, empathetic ways of relating to other sentient beings, while simultaneously pointing toward alternatives to a system shaped by exploitation, domination, and capitalist constraints.
120 g recycling paper
Offsetprint
